Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.
Albums
Massachusetts folk-country quartet, The Novel Ideas offer up a hugely rewarding listen on their self-titled third album which has a highly attractive Americana sound dealing with themes of love and loss.
As If In A Dream I Drifted At Sea is a hugely impressive debut from Daniel Gadd that calls to mind late 60s folk troubadours and shades of Dylan and Cohen. This UK release is sure to bring the acclaim and exposure he so deserves.
Letters Never Read presents a further ten helpings of Dori Freeman’s stunning singing voice and keenly-observed songwriting that proves an ideal companion to her eponymous debut album that had her hailed as “the new voice of Appalachia”.
Many artists make late-career albums that are treasured by fans, but not always appreciated by critics. This release, featuring a special collection of songs, taken from throughout Hillman’s career, is thoughtfully recorded and produced by Tom Petty. One for fans and newcomers.
In her thematic approach, Kirsty Merryn’s album is following in the path of Tori Amos and Carol Ann Duffy, who have, respectively, written songs or poems about or in the persona of famous women. She deserves to reap similar rewards. Also, watch the video premiere for Forfarshire featuring Steve Knightley.
On the evidence of the music presented here by Saz’iso, Saze as a musical form undoubtedly warrants a wider exposure and should stand alongside son, marimba, fado etc. as being part of every discerning music-lover’s collection. This release is a dish to be savoured.
Featuring members of Jez Lowe’s band, The Mile Roses are Edwina Hayes, Kate Bramley and Simon Haworth. Their self-titled debut album features a fine array of folk and roots numbers which is sure to set them on a good roll.
The Deep Dark Woods have created a kind of dark folk-rock that seems to have materialised organically. There’s a lot to admire on Yarrow, both from the band’s playing and from Ryan Boldt’s song writing. The woods are lovely dark and deep.
