Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.
Albums
Widdershins is a potent work in response to a moment in time, when, whether it’s clockwise or anti, there seems to be, as Dylan put it, no direction home that is a road rather than a minefield.
Between Wind & Water is a joyous smorgasbord of Nordic Celtic traditional music that fairly warms the cockles and lifts the spirits. The essence of world-class fiddle music has not only been captured, but distilled into 12 potent shots.
The new Low Anthem album requires you take the time to fully listen and absorb, but like immersion in brine baths, the results have an unexpectedly relaxing and calming effect.
Way Out I’ll Wander, the latest offering from Hannah Read, is a fine achievement: listening to each of its songs is like watching the snow settle in an exquisitely crafted snow globe, revealing an image of pristine clarity.
While the Matthews Southern Comfort band and the sound have, like the bourbon, mellowed warmly with age, the kick is still there on their latest offering ‘Like A Radio’.
Songs for Somewhere Else is another worthy addition to the British branch of the Parsons legacy library curated by the likes of Teenage Fan Club, The Goat Roper Band and Lewis & Leigh.
While Oslo-based Norwegian trio Darling West have been making wider ripples with some high profile tour support, this new album sees them turn those ripples into waves.
For the follow-up to 2015’s Into The Sea and his debut for At The Helm, Dean Owens took himself off to Nashville to enlist the services of go-to producer Nielson Hubbard. Southern Wind is an album that fully deserves to take Dean Owens’ career to a higher level.
