Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.
Albums
Improvisation and invention meet the listener at every turn of ‘Well Met’. Knight and Spiers have created a musical document that should inspire future generations of musicians to engage with Britain’s folk dancing heritage, and the beautiful, mysterious tunes that can be found within that heritage.
The Orphan King is Ed Romanoff’s belated follow-up to his self-titled 2012 debut, he’s linked with Simone Felice as producer who also provides the drums alongside an impressive roster of musicians.
Bennett Wilson Poole is as pure a slab of joyous Americana as you could wish to hear – Assured, cohesive and above all, a thoroughly accomplished musical delight of the highest quality. Destined to be a landmark release in the annals of the genre.
John Forrester may not have the wider recognition as some of his peers and contemporaries, but, as this insightful and open album proves, he’s no less a talent.
Lord of the Desert is 3hattrio’s most adventurous and eclectic work yet, “pure peyote delirium enveloped in a haze of banjo, guitar, bass, fiddle lines and bass drum dancing around like the indigenous desert animal spirits”…long may they reign.
Musically, The Two Worlds is mesmeric…retaining the carefully atmospheric, dreamlike ambience of its predecessors. Centred around Brigid’s trademark clangorous, heavy-sustain piano tone (or reverberant guitar and organ) for a backdrop, all detail is couched in a languid analogue sound that oozes authenticity.
On Gem Andrews latest album she uses dark country to tackle themes of mental illness, poverty, community and destitution. A strong album – this is a magnetic North, indeed.
