Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.
Albums
Avi Jacob’s new EP “Surrender” feels like a breakthrough release, with astute songwriting, inspired vocals and subtle arrangements he stands out from the pack. It packs a punch and shows an artist with unlimited potential. With a full album in the works, Jacob is someone to keep an eye on.
This is Marina’s third album, a gathering together of reworkings of past singles and previously unavailable material that again serves to make you thankful she finally got round to committing her music to disc.
The strongly individual blend of instrumental colours continues, all surfacing through the texture in various delightful and surprising permutations over the course of this 40th Anniversary (Two-Score) album from Blowzabella.
Norwich-based nine-piece The Vagaband return this month with a new album – Something Wicked This Way Comes. While there’s a mass of fine influences at play beneath the surface, their feet are planted firmly in British roots rock soil. Wickedly good.
While it’s unfair to single out any one band to carry forward the torch that Planxty lit all those years ago, the music Pat Broaders, Liz Knowles and Kieran O’Hare are making can certainly hold its head high in such exalted company. The Joyful Hour gives out its joy in abundance and deserves a place in anyone’s collection.
Abbey Wood is an unmitigated triumph. Clever and heartfelt, it inverts folk tropes by presenting historical narratives in extremely personal ways or by creating finely-observed urban backgrounds where the more personal songs can play out. Hayter’s haunted, haunting voice holds it all together and makes it fabulously unique.
For his seventh album, Thousand Springs, East Nashvillian Korby Lenker decided to skip the studio altogether and head to his home state of Idaho to record in places that held particular meaning for him. It’s all the richer for it.
The Rheingans Sisters’ powers of songwriting and arranging have reached a new peak, they have become one of the most formidably talented duos around. In Bright Field, they have created an album bursting with worldly joys and shot through with intimate sorrow and wisdom.
Over the years, Leger’s been gradually establishing himself as a figure of note in the Canadian music scene, this album finds him ready to take on far wider horizons.
