Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.
Albums
Minnesota sextet Trampled by Turtles return with ‘Life is Good on the Open Road, their first album in four years and one that finds them on top form. A welcome return.
With this album, Greg McDonald presents songs that bring into sharp focus many of the issues that plague Britain today. But this is far from being a dour or dispiriting listen, there’s a lightness of touch that nudges you towards a more positive outlook. Hopefully, we won’t have to wait another six years for his next offering.
Much of the album is about the constant interplay between pastoral prettiness and modern-world weirdness, about how there is strangeness and partial alienation in what we think we know…It is this tension that makes the whole album so beautiful, and so unnerving.
An album to listen to in the same stillness and hush in which it’s delivered, soaking up the sadness, the hope, the sense of a life lived, it’s a quiet resolution.
On their latest release, Rura return to being an instrumental band. Penning all the tunes themselves, In Praise of Home is a fresh, coherent whole that fully utilises the band’s excellent traditionally rooted musicianship and at the same time never sounds anything less than completely contemporary.
Powerfully sung in clear, distinctive tones, it’s at moments like this that Browne soars above the comparisons and influences with a voice that’s very much her own.
This brilliant, eclectic and challenging new folk and experimental compilation has attracted a stellar cast of contributors while raising vital money for vulnerable young people in Southend. All in a very worthwhile cause.
An Introduction To Martin Simpson more than adequately showcases both his undoubted skills as one of the world’s finest acoustic, finger-style and slide guitarists but also his transformation into one of the folk world’s undoubted national treasures.
On Matchstick Men, a mingling of Celtic rock and quiet introspection shades much of the album, the songs steeped in reflection and a sense of unease with the present and who or what we are. Despite the self-doubts implicit in the title and many of the lyrics, there’s nothing rudimentary about this.
