Albums

Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.

by Mike Davies

Iowa-born Nathan Bell follows up last years’ Love>Fear (48 Hours in Traitorland) with what he refers to as the unexpected fourth in his Family Man trilogy. A writer of songs both deeply personal and universal, long may he continue to toll.

by Mike Davies

Magic Ship finds Amelia Meath, Alexandra Sauser-Monnig and Molly Sarlé reuniting as Mountain Man. Beguilingly simple, at times childlike at others worldly-wise, Magic Ship is a bewitching album; you should book your passage forthwith.

by David Kidman

Steve Ashley will no doubt once again find his status as a truly quintessential British singer-songwriter heartily endorsed with this latest collection of original songs. All delivered with a potent combination of lyrical poetry, delicious wit and darkly puckish humour.

by Mike Davies

Tablelands is the third and final EP in India Electric Co.’s trilogy of songs contrasting the city and the country and our search for greener pastures in its themes of displacement and unification. An outstanding trilogy that serves to emphasise the duo’s status on the folk landscape.

by Sharon Armstrong

On Farran, Mairearad Green & Anna Massie highlight their tight-knit musical telepathy, and relaxed ease of expression, a simply wonderful album from two fine and versatile musicians setting their own course with the clearest sense of direction.

by Neil McFadyen

Recorded in the comparative solitude of Wester Ross, Rachel Newton’s ‘West’ never sounds sparse or minimalist, it’s almost as if the setting has helped pour more of herself into this album than ever before. It is a significant accomplishment; a rich, deeply moving, and immensely enjoyable album.

by Neil McFadyen

Hannah Rarity’s early promise comes to fruit in this superb album. With her crystal clear voice, sparkling production and thoroughly engaging arrangements, Neath the Gloaming Star is a must-have album for anyone with a love for Scots traditional and contemporary song.

by Danny Neill

On Poor Stuart, Ben Somers, a saxophone and double bass player with an impressive list of collaborators offers a vast array of musical excursions and highlights on a hugely promising, first solo effort.

by Mike Davies

The mark of a successful cover is to take the original and, rather than treat it over reverentially, ruffle up its hair, give it a new wardrobe and make it your own. William Elliott Whitmore has full possession here.

by Donald MacNeill

The Young’uns earn themselves a very special place in the history of Ceòl Cholasa – The tiny Hebridean Island of Colonsay, population circa 120, location, on the left of Scotland in deep water, finally rose as one to give a standing ovation to the first English band to appear at the festival.

by Mike Davies

Variously embracing blues, gospel and Americana,  This Too Shall Light, is the second solo album from Amy Helm, daughter of Levon Helm. Produced by Joe Henry, it comprises of a great a mix of originals and covers.

by Mike Davies

Having released their Tucker Martine-produced fourth album Ruins, at the start of the year, Swedish songbird and songwriter sisters First Aid Kit return with this unexpected and wholly delightful EP Tender Offerings.

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