Albums

Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.

by Phil Vanderyken

A Cure for the Curious is an interesting and intriguing album by three talented and highly accomplished musicians breathing new life into time-honoured musical traditions with style, flair and fun. Curiosity may have killed the cat, but it led Solasta to some very interesting places indeed.

by Donald MacNeill

Some People I Know is a well-produced album which for lovers of harmony singing is a real treat. Coupled with the well-constructed songs and impeccable musicianship it’s certainly an album you should check out.

by Mike Davies

Wild Hxmans finds Sweden’s answer to Tindersticks’ Stuart Staples and Nick Cave combined brooding on a world in transition, the X replacing the U in the title symbolic of the way we cross others out and ignore them.

by Dave McNally

Hieroglyphs That Tell the Tale is so wonderful that words really can’t do it justice. As nature writer Robert McFarlane once said “Language is always late for its subject. Sometimes …I just say ‘wow’”. Listen and be wowed. Her best album yet.

by David Perrins

Kirsty Merryn arrived in London to deliver a fabulous concert at Camden’s Green Note in support of her highly regarded debut album She & I. The emotion she conveyed and her breathtaking vocals were the stars of the show.

by William Patrick Owen

The album’s strongest standalone tracks come in the middle, as the LP slowly builds its own sort of momentum between the lo-fi Elliot Smith sounding ‘out of your mind’ and ‘blue-red horses’. In between, ‘cradle’ has a gorgeous serenity that recalls Julie Byrne’s 2017 release Not Even Happiness.

by Neil McFadyen

It’s hard to think of a band that has achieved so much and made such an impact on the trad music scene in their first 3 years, as Glasgow based trio Talisk. ‘Beyond’ is the next thrilling step on that journey as they bring ever more craft and excitement to their music.

by Dave McNally

Experiencing Declan O’Rourke’s ‘Chronicles of the Great Irish Famine’ live is frankly quite unlike any other show I have ever seen. It is both completely engrossing and literally unforgettable.

by Sarah Belclaire

In Comet, Carly Dow reclaims tales of loneliness and heartbreak: she is willing to admit when she is afraid, but proud to proclaim when she feels fearless. No stone is left unturned in this resonant ode to female independence.

by Mike Davies

As a producer, Hubbard has been attached to some of the finest Americana albums of the past decade, most recently Mary Gauthier’s Rifles and Rosary Beads. He can now add his own to that list.

by Richard Hollingum

Robb Johnson’s extensive 3-CD album Ordinary Giants is a monumental release. Supported by the likes of Roy Bailey, Boff Whalley, Tom Robinson, Miranda Sykes, Matthew Crampton, Phil Odgers and more, it tells of how we got to where we are today, told through the life and times of Robb’s father, Ron.

by Peter Shaw

Paradise and Thorns is a rewarding and precious double album from Ashley Hutchings – ‘the single most important figure in English folk-rock’. Handsomely packaged, it’s a companion piece to his 1987 Gloucester Docks, an album that told a very personal love story.

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