Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.
Albums
Accompanied by The Celtic Blues Orchestra Rhiannon Giddens delivered an exceptional performance at Celtic Connections, receiving no less than three standing ovations. An unforgettable evening.
We catch master Scottish fiddler Alasdair Fraser premièring his latest collaborative odyssey at Celtic Connections featuring, cellist Natalie Haas, fiddler sister Brittany, Québécois guitarist, accordionist and singer Yann Falquet, and phenomenal US stepdancer Nic Gareiss.
The Unthanks’ latest venture, Lines, is a trilogy of three discrete song cycles inspired by poetry, linked by their focus on female perspectives across time. Guests include Sam Lee and Tim Dalling. Through their expressive performing style, commitment and vision a deeper undercurrent is revealed.
Exeter duo Sounds of the Sirens return to seal their reputation with an ambitious, musically diverse third album of which Mike Davies declares “We may still be in January, but this is unquestionably an album of the year.”
As two fiddle players work their way through a traditional air in the downstairs bar of Cecil Sharp House, former Bellowhead frontman Jon Boden (solo) prepares to take the stage in the main hall for an epic set of post-apocalyptic prog-folk.
It is no overstatement to say that Contradicshun is a masterpiece of shared creativity, the fullest flowering of a partnership that has been nurtured for fifteen years. It is Megson’s most complete album and their best to date.
On Icarus Girl, Siobhan McCrudden offers a fine set of songs and an assuredness to her delivery. Keep an eye on her journey, this singer songwriter has real potential.
Katie Doherty makes a welcome return on her second album ‘And Then’, accompanied by The Navigators: Shona Mooney, Dave Gray and Ian Stephenson. “Hers is an ascent well worth following”.
Across the whole breadth of ‘The Fell’ there is a kind of alchemy at work: The Brothers Gillespie use ostensibly simple musical ingredients to create songs that feel like classics in the making. The Fell shows off British acoustic music in its best possible light.
