Albums

Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.

by Richard Hollingum

Even when surrounded by the nascent folk-rock of the Albion Band, Shirley’s voice rings out true, true to the tune and true to the song. It still rings out true today and what a most fitting album to present to a new generation to listen to and learn from.

by Glenn Kimpton

Cut it Down, Count the Rings does not feel much like a debut album. The songs and performances are strong and confident, the playing, too, is top-draw – it all feels at once new and utterly focused and considered. Hats fully off to Copper Viper.

by Thomas Blake

Travelling Bright is not an album of instant, frivolous gratification. Its songs are long and often complex…But the more you engage with music the more rewarding it can be, and Travelling Bright might just be one of the most rewarding albums you’ll hear all year.

by Neil McFadyen

Kathryn Tickell’s music flows so naturally you could be forgiven for thinking it’s plucked from the air. Hollowbone belies that notion in magnificent style. The music is complex and animated, exploring the mists of millennia but singing in a clear, contemporary voice… a wonderful, brave, and intoxicating album.

by Mike Davies

Simple, insightful, heartfelt and lyrical, Danny Schmidt’s ninth solo album ‘Standard Deviation’ finds him in a reflective mood and deserves to rank among the year’s finest releases.

by Matt McGinn

It’s so refreshing to hear so many songs and melodies that we have almost forgotten how much we love, but to hear Diane sing them backed by Manus Lunny and his incredible squad, they breath new life into old traditions, guaranteeing their survival for at least another generation.

by Glenn Kimpton

Kinloch Nelson is a skilled player whose technique and broad repertoire inform his modest and intelligent guitar playing. There is a lot to enjoy and admire and indeed return to inside this forty minutes of material.

by David Pratt

Here There’s No Sirens is the first solo album from Case Hardin’ main-man Pete Gow. It’s a remarkable record, engendering, in varying proportions, elements of beauty, discomfort, empathy and guilt.  Something for everyone then.

by William Patrick Owen

On her latest album, Laura Cannell seeks to reveal the sounds of the universe that humans do not hear, doing so through a theory of the music of the spheres – The world is de-reified, shown up to be as transient as the experiences we have in it.

by Richard Hollingum

All-in-all, this is one of the most significant recordings of the period. A tribute to the recording techniques of Sean Davies and the production of AL Lloyd, a tribute to the work of Topic Records and a tribute to Anne Briggs. This is music to pass on to the next generations.

by David Pratt

Dreams About Falling is a musical tour de force, and undoubtedly his best release to date, and one can only see Jamie Freeman’s star ascending as a result.       

by Mike Davies

The Hermit’s Spyglass evokes a simple life, at one with nature, of timelessness and memories. Bedford was once described as among the 50  most significant folk singer-songwriters of the past 50 years. This album changes that. He’s now among the Top 30.

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