Albums

Expanding contributions and embracing The Jayhawks’ broader influences, XOXO’s wide-ranging musical moods reaches out to a wider audience while never disappointing the faithful.

Sofia Talvik revisits Paws of a Bear for a stripped-back rework featuring just voice and guitar, all one take re-recordings that bring an added intimacy to the pervasive melancholia.

In many ways this could be seen as a companion piece to 13 Rivers – it should find a home amongst any music collection belonging to lovers of rich, melodic, song composition.

JJ Draper’s second EP, The Theft and The Flight is comfortingly familiar, yet fresh and innovative, underpinned throughout by Draper’s personal approach truly coming into his own.

Live Across Scotland is as near as you could get to capturing Skerryvore’s live sound and the atmosphere that goes with it.

Northumbria is truly authentic, it both connects and communicates with a brutal honesty and warrants investigation. I, for one, look forward to future music from ConChie.

An album that picks up steam and spirit moving on to better days, Suzanne Vallie’s Love Lives Where Rules Die lights the darkness that can live within our hearts.

‘Shadow Houses’, the new album from Tremblers of Sevens, featuring the core duo of Dan Weisenberger and Juli Steemson, is absolutely beautiful and rocks like there’s no tomorrow.

Born in Tribes is an auspicious debut and Lisa Marini has the potential to be one of the most significant voices of the next decade and beyond.

While all of her previous releases have been outstanding, this is in another league entirely, unquestionably one of the finest albums of the year and her personal Sirius.

A fulsome & creatively scored mini-album, much in the tradition of psych-folk-pop. Despite the surface gloss it exhibits a powerful identity.

On Mountain Time’s ‘Music For Looking Animals’, Chris Simpson looks back to find a way forward, crafting more mature and cathartic music.