Albums

Nightcap At Wits’ End is an album to experience over and over again. Something new is always emerging from the mix. How many albums can you say that about?

Loudon Wainwright III demonstrates his ability to find the emotional core at the heart of these songs and deliver it with style and grace like the true rascal he is.

Zan is a great and worthy achievement, undertaken by musicians who were quite literally taking a risk …simultaneously dizzying and dazzling…one of the best albums I have heard this year.

John Lee Shannon’s “In & Of” is an impeccably performed set of small unpretentious gems highlighting the subtle joys of the ubiquitous acoustic guitar. Splendid.

A rallying cry to dwell, to exist and revel in the moment, with ‘Fish Pond Fish’ Darlingside have turned adversity into adventure and separation into sensation.

On Silhouettes, the latest offering from duo Matthew Lowe & Daniel Trenholme known as Stables, they deliver melodically rich tunes and an abundance of good vibes and go-getting lust for life.

Diana Jones’ ‘Song to a Refugee’ engenders empathy with those forced to flee, while at its heart, there is a deep compassion that will stop you in your tracks.

Superbly mastered by Tony Poole, “Where Does It Hurt?” showcases the prodigious and varied talents of a singer-songwriter who deserves a much wider audience and recognition.

Michael J. Sheehy returns with his first solo album in ten years – Distance may indeed bring beauty into perspective, but I highly recommend you get up and close and intimate with this.

Taken as a whole, Sing Leaf’s ‘Not Earth’, described holds promise for other worlds. It’s up to us to find them.

While The Marriage are a musical rather than a connubial relationship featuring Kirsten Adamson and Dave Burn, this debut sounds like the dawning of a very bright future.

Crescent, the second offering from Speaker Face, is an album of pure class, indisputable elegance, compositional invention and, above all, rich emotional rewards.