Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.
Albums
Beattie’s “Somewhere Round The Bend” is an album for reverie and relaxing, of raising a glass to what was and a candle to what might be, the boy done good indeed.
An entrancing and memorable interpretation of a fine collection of classic folk songs from LAU. As an EP it is a perfect selection of a rich and beguiling set of tunes.
Suffused with the yearning and the longing of its title, Tanya Brittain’s ‘Hireth’, her solo debut, more than fulfils its promise.
On ‘When a Man Loves an Omen’, Judson Claiborne transfix the listener while keeping them slightly off-balance at the same time, it’s one of the most compelling EPs of the year.
Ben Walker gives us another masterclass in technique, feel and tone with a second compact collection of tunes – a trip from England to Ireland and back again. All proceeds go to Macmillan Cancer Support.
The power of A Casual Invocation comes from its mystery: it feels at once ancient & modern. Folk music at its most transcendent, an antidote to the banal and a gateway to the weird.
With Reckless River, Zoë Wren has produced a mature, exquisitely well-crafted album of great beauty and listening pleasure, deserving of a wide audience.
The vivacity and sheer exuberance of Diamond in the Rough is hard to resist. Slip on your dancing shoes on, jump in and embrace the vigour; you won’t be disappointed.
It took a hurricane wrecking their studio to jolt them into finally making these demos, originally recorded to just fulfil a publishing contract, available. Who said it’s an ill wind that blows no good?
