Albums

Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.

by Philip Thomas

This celebration of twenty years of Kleztory’s commitment to the genre demonstrates that Klezmer is a living tradition and this album portrays it at its absolute best.

by Billy Rough

The vivacity and sheer exuberance of Diamond in the Rough is hard to resist. Slip on your dancing shoes on, jump in and embrace the vigour; you won’t be disappointed.

by Mike Davies

It took a hurricane wrecking their studio to jolt them into finally making these demos, originally recorded to just fulfil a publishing contract, available. Who said it’s an ill wind that blows no good?

by Philip Thomas

If you are a fan of Jez Lowe you will love this, as I did. If you are new to his work, then this will prove to be a great introduction and will certainly send you off looking for more.

by Billy Rough

It’s impossible not to fall a little bit in love with Hemet. Beautifully listenable and rich in some rather gorgeous melodies and emotive arrangements, it is an adept and utterly mesmerizing debut from Niamh Regan.

by David Kidman

Allysen Callery’s “Ghost Folk” casts a mesmerising spell, impossible to resist, and yet also conjures subtleties and substance that demand your closer investigation.

by Peter Shaw

Sophisticated songs for a sometimes saccharin season, A Midwinter Miscellany (featuring Ashley Hutchings, Becky Mills, Blair Dunlop and Judy Dunlop) is a Christmas album with a big dollop of class.

by Seuras Og

A terrific listen for a lockdown winter night, dreaming of a return to outside summer music, hopefully, next year. Make sure Merry Hell are playing where you go; I will be.

by Mike Davies

An album to savour and immerse in rather than seeking out immediate pleasures, at one point she sings “I’ll never be in season, I’m forever ripinin’”; a heady fruit indeed.

by David Morrison

…regardless of the fact that as an atheist I cannot emotionally plug into much of the album’s lyrical content, speaking simply as a human being William Prince’s “Gospel First Nation” is probably the most relatable record I’ve heard all year.

by Mike Davies

Ovans has never failed to impress with his ability to either fire up the heart or cut to the emotional quick. Albums like this are the reason why some of us get out of bed in the morning.

by John O'Regan

Bonfrost leaps out of the speakers and demands attention, keeping the energetic and creative levels up throughout its twelve tracks. One to win your ears and heart once you surrender to its many charms.

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