Albums

Byla Rose’s debut Pacific Coast Folk EP ‘How Far’ is an intoxicating calling card drenched with thrilling potential for things yet to come.

Brighton-based The Knights Project has developed into formidable champions of lo-fi folk with a talented ear for lyrics and harmonies. Beautifully produced, their latest offering ‘Animals, Animals, Animals’ is a dreamy, fragile, and poetic way to spend some time with.

The Magpie Arc’s EP3 is a fitting way to cap a set of EPs whose very existence seems to celebrate the lasting power of musical collaboration at a time when it feels most at threat. It’s just as accomplished as its predecessors, and even more full of musical surprises.

Simon Flory’s early-country sounding ‘Haul These Blues Away’ may be an album steeped in hardships and hurt perhaps, but ultimately it’s a hymn to finding contentment and your own way in the world.

‘Creation Never Sleeps, Creation Never Dies’ is a crucially important record of Willie Dunn’s considered, accomplished and thoroughly striking song writing. His deep, rich, strong voice and his message remain eternal. One for every record collection. Seek it out.

Lael Neale’s ‘Acquainted with Night’ is steeped in Los Angeles nostalgia, sparse arrangements make for a smooth, unencumbered, effortless listen…beneath which there is an underlying tension that is strangely comforting.

The latest album by Jon Boden marks an elegant, profound, and thoroughly rewarding conclusion to a remarkably prescient series of albums. Last Mile Home is a genuinely heartfelt and beautifully structured listen. An exquisitely moving conclusion to Jon’s trilogy. This one will stay with you.

Those Shocking Shaking Days. Indonesian Hard, Psychedelic, Progressive Rock And Funk: 1970 – 1978 is an extraordinarily excellent re-released compilation that, musically, succeeds admirably in capturing the essence and magic of the time.

If you want to hear a fine example of the harp in the contemporary folk music of Ireland, then listen to Ocean of Stars, the new EP by Brídín who comes from a long line of musicians stretching back four generations.

For too many years this album was a buried treasure in the Paul Simon back catalogue. Danny Neill takes us on a journey back to 1965 to explore ‘The Paul Simon Songbook’. An innovator always in pursuit of new sounds…An LP recorded in a single day…it was a big deal.

While the album may seem to some like a travelogue, it is actually a journey inside the minds of Mahood, Dybvig and Nash. As Plankton Wat, Future Times lays out out a manifesto for change. We need to listen with open hearts.

If traditions are made to be broken, then Altın Gün has smashed them to bits. But what they have done is reassembled the bits, shaken them around and redeployed them within the framework of Yol. Folk music for the modern dance floor, what a concept!