Albums

Binga, the latest offering from guitarist and singer Samba Touré is a compelling, intriguing and wonderfully refreshing album. While it reflects on some of the harsh realities of life it’s also driven by a pride for a nation’s history.

Land of Heroes is Ray Cooper’s fourth solo album. An engaging listen from the outset that beckons you back for repeated listens. He really has excelled here.

A stylistically eclectic and beguiling Americana album that speaks of hope, longing connection and wonder. Seen through Vane’s lens, ‘nowhere’ may be both daunting and inviting, but it is most assuredly lovely. Take that ride.

Eli West’s A Tapered Point of Stone is a fresh, subtle and captivating collection. With a terrific acoustic backing band and a number of special guests, this is an album that grows on the listener with repeated spins.

Unearthed from the Dando Shaft archives and seldom heard because of its limited initial release in 1993, Shadows Across the Moon is a fitting final celebration for an influential and much-missed band, who deserve to take centre stage for a final bow.

Yasmin Williams is a guitarist that does uniquely her own thing, free from tradition, geography, and time – Urban Driftwood demonstrates the true universality of musical language – she’s a storyteller that makes the audience lean in to listen.

Course In Fable, self-released on Ryley Walker’s Husky Pants imprint is a bold, batshit masterstroke the likes of which we’ve never seen…the latter-day folkjokeopus we never knew we needed.

There’s nothing florid about Loney dear’s ‘A Lantern and a Bell’. The nine songs feel so frail and simple that a slight breeze might blow them away. Yet there are unexpected depths at every turn.

We live in strange times, in an even stranger world. And the music Chad VanGaalen creates on World’s Most Stressed Out Gardener is a reflection of that. That he is able to capture all the joy and weirdness makes the album that much better.

These days positivity can be in short supply, which is one of the things that makes Crys Matthews new collection Changemakers nothing short of incredible. Matthews puts it all on the line, speaking words of hope at every turn.

Mirry skirts the edges of hauntology – there is the definite sense of a lost arcadia, a nostalgia for a past that never existed, or perhaps only existed in Mirry’s own almost hermetic world. Mirabel Lomer’s unique talent is finally given its due.

In Clifftown, M G Boulter perfectly captures the poetry of everyday life in a muted, fading town. Stay awhile and let its poignancy flow over you. Its quiet grandeur will gently seep into your soul. A thoroughly intoxicating listen.