Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.
Albums
Analog Africa’s latest compilation explores the rebajada scene of Mexico, unearthing and making available musical treasures deserving of a worldwide audience. The album includes a riveting history of Mexican pitch control, (Radson tube amps, heavy-duty Garrard decks), alongside superb archive photographs.
Ink of the Rosy Morning showcases the dexterity of Hannah Sanders and Ben Savage’s guitar playing and the unaffected beauty of their voices, both individually and in harmony. This is their most immediate, beguiling and, dare I say it, finest work yet.
M Ross Perkins creates the kind of masterpieces that could only come from one mind. E Pluribus M Ross is the most unified collection of lines and licks you’re likely to hear this year.
While Midlake have not deserted the sounds of yore, they have reinterpreted the repertoire on For the Sake of Bethel Woods, sounding more willing to experiment. There is a sense of liberation in the music. No one is holding them back any longer.
MacGillivray’s talent and passion bring the tragic story of Mary, Queen of Scots to life. Her intricate instrumental work, captivating lyrics, and powerful vocals all come together to build this profoundly engaging and focused album.
On ‘Nothing Pressing’, Jerry Leger charts a musical and personal journey that he says he hopes listeners will feel they can share. These are songs that give you the strength to come through on the other side.
The Lied To’s Doug Kwarter and Susan Levine, return with “The Worst Kind of New”. Both lost parents during the album’s making which finds them examining loss, grief, memory, and the desire for love and self-acceptance.
The first thing you notice about Jadea Kelly on Roses is her voice. It’s an amazing instrument, one that reflects longing, yet can also convey joy.
At the heart of Samana and All One Breath opposite worlds seem to coalesce forming contradictions that are part of the very fabric of life. They travel emotional pathways through a constantly changing landscape, documenting moments that may never come again.
With House to House, we find Matt Andersen embracing a more stripped back acoustic sound. These songs have a deep connection; pulled from the same well of real-life turbulence that, ironically, invests them with as much power and bite as anything this artist has previously recorded.
Ivy Ryann says she wants her music to offer a sanctuary with no judgement, a safe space for those beset with their own mental health issues, as a solidarity and community through song. With this album, she opens the door; step inside.
