Author

Thomas Blake

III is a folk album played with the inventiveness of jazz and the control of chamber music. It is suffused with pastoral light but anchored in earthy realism, unshowy but technically innovative, driven by emotion but never sentimental.

Senyawa take on the role of outsiders. Their music is a constant series of volte-faces against what is predictable or what is considered normal. Or rather, they distill the weirdness, the wonderful crookedness, inherent in what passes for normality in a fast-moving and hugely diverse culture.

Great art can often come from the darkest places…many of these songs were born out of very real human experience. They are musically inventive and lyrically astute documents of this experience, but more than that they offer a clearer way of understanding it, and perhaps even a way of helping to overcome its darker periods.

On Sweet Thursday Ivar tackles contemporary America from a personal standpoint, through the lens of literature and with an omnivorous knowledge of the history of music. Put like that it sounds dry, even academic, but Ivar’s wit and melodic sense ensures that it is nothing of the sort. Watch his new video Down by the Jacaranda.

Molly Drake was a songwriter of vivid vision and an author of strange, calm, ambiguous poems which deserve to be remembered on their own terms. This release will go some way towards making sure that happens.

St. Peter is an album full of shimmering, finely crafted layers. Emma Tricca has employed an enviable array of talented collaborators to help achieve this unique effect, but it is her own approach to music-making that really marks this out as a serious piece of work and her best album to date.

Utopia and Wasteland explores a formidable range of human emotions and political ideas, and one that flits easily between the minuscule detail and the grand statement. An exceptional album from one of the most exciting duos not just in folk but in any genre.

Abbey Wood is an unmitigated triumph. Clever and heartfelt, it inverts folk tropes by presenting historical narratives in extremely personal ways or by creating finely-observed urban backgrounds where the more personal songs can play out. Hayter’s haunted, haunting voice holds it all together and makes it fabulously unique.

The Rheingans Sisters’ powers of songwriting and arranging have reached a new peak, they have become one of the most formidably talented duos around. In Bright Field, they have created an album bursting with worldly joys and shot through with intimate sorrow and wisdom.

Improvisation and invention meet the listener at every turn of ‘Well Met’. Knight and Spiers have created a musical document that should inspire future generations of musicians to engage with Britain’s folk dancing heritage, and the beautiful, mysterious tunes that can be found within that heritage. 

Way Out I’ll Wander, the latest offering from Hannah Read, is a fine achievement: listening to each of its songs is like watching the snow settle in an exquisitely crafted snow globe, revealing an image of pristine clarity.        

There are big projects, there are gargantuan labours of love, and then there is this. The Self Preservation Society is an ambitious vinyl collection of songs from the late 1960s and early 1970s performed by the likes Eliza Carthy, Teddy Thompson, Marry Waterson and many others.

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