Thomas Blake

Brigid Mae Power’s generosity of spirit permeates all of these songs, even the ones that describe hardship. This is her most accessible work to date, but also her most intricately layered: genuinely beautiful, quietly challenging and perfectly self-contained.

Never Work is by far Kom’s most impassioned and political lyrical statement to date. Augmented by Sharratt’s superb, understated singing and musicianship, it shows just how relevant protest music is, and how much fun it can be.

Recorded at home during the lockdown, Howling at the Sun feels like the much-needed companion to a season of uncertainty and isolation: it is by turns sad, cheering and reflective, and full of the melodic inventiveness, the freshness and, ultimately, the positivity we have come to expect from Randolph’s Leap.

Twenty-one years ago Hefner released one of the finest break-up and make-up albums of its era. To say that Hayman has done it again may be a bit reductive – in no sense at all is this a nostalgia trip, quite the opposite in fact – but nonetheless, this is one of the finest records of a consistently brilliant and varied solo career.

Jurado is the perfect songwriter for these strange times. He is wistful without ever wallowing in nostalgia, and he balances heartbreak with hope in a way that few artists can. This represents some of his finest work to date.

Thomas Blake interviews the Gigspanner Big Band, our Artists of the Month, who demonstrate they are admirably democratic not just in their music-making process, but also in their interviews where everyone gets their say.

Good Times Older is a winner on many fronts but it also gives us some idea of just how gifted Jack Sharp is as a singer and interpreter of song. We can only hope that his foray into the world of traditional music continues.

iyatraQuartet’s music is a timely reminder of that all-important link between people and their art, and Break The Dawn exists as a complex, stunningly-performed artefact that offers a little hope in dark times.

Natural Invention is a piece of music that feels thrillingly, frighteningly, beautifully of our time. With the Gigspanner Big Band, Peter Knight has assembled a group of musicians intent on making some of the most important and exhilarating art ever to sit under the banner of folk music.

This is an album that owes everything to the interconnectedness of things and is well aware of that fact… It is elemental and challenging music, but such is the skill of Apneseth and his band it feels beautifully simple.

Huam has something of the magic of an untrodden path about it. It rewards deep listening…light and quick, profound and full of care, it is an album of serenely balanced opposites. Also watch their new video for Mountain Of Gold.

Downhill Uplift is the sort of album that will sound different every time you listen to it, and while it takes inspiration from a cluster of well-worn genres, the way those genres are meshed together seems entirely novel. The work of an extremely proficient musician and his band.