Thomas Blake

Amelia Baker, the singer, musician and writer behind Cinder Well, is disarmingly honest. But behind that honesty lies an intriguing depth and complexity. We chat with her about her new album ‘Cadence’; her Southern California roots and living in Ireland; and her influences and tastes, from Joni Mitchell to Lankum and Haruki Murakami.

Brìghde Chaimbeul’s ‘Carry Them with Us’, is an extraordinary experience that has slowly begun to resemble a series of strange, beautiful dream-stories, told with flair, nuance and incredible technical proficiency, but more importantly, with a real sense of ambition and innovation.

Emma Tricca is one of our most valuable and interesting songwriters, capable of strange and beautiful sonic flights of fancy and unexpected lyrical turns. Aspirin Sun is her best yet.

Cinder Well’s ‘Cadence’ is something of a journey. Meandering, non-linear, but full of care and wisdom, it is an astonishingly powerful piece of work that seems to have been conceived in uncertainty but realised with the supreme assurance of one of the most consummate songwriters around.

False Lankum is Lankum’s most uncompromising album to date which highlights their highly individual approach to music-making: a discourse between band and listener that is challenging, raw, brutally honest and always rewarding.

Hack-Poets Guild features three of the finest musical minds that the British folk scene has to offer, and on Blackletter Garland, an album that is more than the sum of its parts, they demonstrate the possible futures of folk music, all of them varied and vibrant.

Folk music has always been inextricably tied up with history, but rarely has the relationship been as mysterious and rewarding as it is here with Milkweed’s ‘The Mound People’.

On Grief in the Kitchen and Mirth in the Hall, Alasdair Roberts’ performances are musically exquisite, while his singing has never sounded so emotionally charged. The quality of Roberts’ music is astoundingly high, and nearly three decades into his career, that shows no sign of letting up.

The songs on Jonathan Day’s ‘Sakura’ are characterised by a profound philosophical insight and the importance of music and nature. But most of all, it is an album about love and the small but important connections between humans in a world that can feel overwhelmingly big.

Through ‘In The Quiet Of The Waiting’, Elly Lucas delivers a small jewel. From a 150-year-old hymn, transformed into a secular rallying cry, and a cover of The Moth by the criminally underrated Anne Lister, the EP has an understated sparkle and a deceptive emotional depth.

Meg Baird’s ‘Furling’ is unlike anything she has done before. Impressively, she and Charlie Saufley recorded every instrument and the intimacy of their musical connection is plain to see. Baird has mastered the balancing act between maturity and eclecticism perfectly, and the results are spellbinding.

Serious Glimmers is the latest offering from Bristol-based guitarist Glenn Kimpton. He is never afraid to navigate the more complex waters of experimentalism and improvisation; often complex and always highly rewarding, it is the perfect introduction to his art.