Neil McFadyen
Neil McFadyen
Lives with his wife and kids in the shadow of the small and perfectly formed Ochil Hills, near Stirling. Earns his crust as a map geek. Stays sane by listening, reading, writing, walking and having his horizons widened.
On An Dà Là, Mànran excel at distilling the energy and excitement of their live shows into studio sets that not only mirror the experience but also make room for intricate musical virtuosity that provides the very finest detail. That detail, in turn, provides the album’s lyrical and vocal content with a platform that supports enthralling performances…one to be proud of.
When Hands Up For Trad, the organisation that promotes and supports developing talent in Scots traditional music, invited Folk Radio UK to attend this year’s MG Alba Scots Trad Music Awards we knew we’d be in for a treat, and we weren’t disappointed. Neil shares his highlights and details of the winners.
The Seven Suns is replete with the wisdom wrought in a time when humanity existed in tune with nature, rather than in dominion over it. There are legends, ideas and timeless rituals to explore – from the venerable grandeur of stone monuments to the intricate, spellbinding symmetry of a snowflake…above all, though, there is enthralling music.
In Widdershins, Highland airs, jigs, and reels are treated to a Nordic twist and the rebellious tendencies of both players are given free rein to delightful effect. It is an astounding album that deserves wide exposure, and a work for which Sarah-Jane Summers and Juhani Silvola should be resoundingly praised. Rarely is music such an overwhelming joy.
The eloquence of both George Monbiot and Ewan McLennan in raising these issues says far more than any music critic can. Breaking the Spell of Loneliness doesn’t merely tackle the issues raised, it offers solutions, it offers hope. It’s a moving, thought-provoking work that has relevance for all of us.
With Shooglenifty, Angus Grant took the spirit of the dances and dreams behind Scotland’s traditional music and catapulted that music into the 21st Century. His sudden and unexpected departure leaves a void in our music and our culture. Read our tribute with recollections from Neil and Simon Emmerson of the Afro Celts.
Take the time to learn about the beautiful sycamore seed sculpture, created for the album cover by Cornish artist Billy Wynter, and you’ll find the embodiment of what Teyr represent. Teyr make folk music rooted firmly in the future, that future may indeed be Far From The Tree, but then, nothing grows where nothing’s been.
