Mike Davies

Looking for the Thread offers a captivating meeting of different but kindred musical minds of Julie Fowlis, Karine Polwart, and Mary Chapin Carpenter. All three can be proud of their collaboration; we can but hope for a sequel.

The ever-innovative and experimental sextet Bonfire Radicals returns with their five-track EP Flywheel, swirling musical colours and shapes recorded live in the round. Barkingly wonderful.

Mike Davies shares his Top 10 albums of 2024, including releases from Luke Jackson, Julian Taylor, Norman Paterson, Amy Speace, C. Daniel Boling, Zachary Lucky, Malachy Tallack, Mary Lee Kortes, Lizzie No and Ruth Theodore.

The rich storytelling of Norman Paterson’s ‘Loved’ reflects on the cherished memories of people and places rooted in the earth of his home; while the title may be in the past tense, the emotions, like this album, are enduring.

With ‘In the Shadow of John The Divine’, Chris Cleverley puts his personal spin on the usual festive fare that blends joy and wistfulness in the seasonal cocktail of often contradictory emotions, love and grief. Definitely one for your Christmas stocking.

With Paper Tigers, the fourth teaming of Boo Hewerdine and Brooks Williams as State of the Union, the creative spark shows no signs of diminishing – an unfussy vintage-sounding album played with simple, consummate ease by two outstanding artists.

Each time, I wonder how on earth Luke Jackson will surpass his previous album, but he manages to do so. With ‘Bloom’, he does so spectacularly, with dramatic moments and some hugely impressive storytelling.

Subtly understated in its melodies and delivery but with a profound depth of emotion, Letitia VanSant & David McKindley-Ward’s ‘Eye of the Storm’ is a deep album that sings to their musical chemistry – we hope it marks the start of a journey.

Very much in a classic 60s coffee house folk troubadour vein, ‘Love, Dan’ is C. Daniel  Boling’s latest offering; he just keeps on producing albums of outstanding quality.

Beth Malcolm’s Folkmosis is a spellbinding album that speaks not only to the music and heritage that lives within her heart but also to how the music of our homelands can root us in identity and place, however far away from home we may be.

Zachary Lucky’s ‘The Wind’ is in the classic mould of an Americana troubadour album – it’s up there with the best, alongside Guy Clark, Tom Rush, and Townes Van Zandt.

With so many artists trying to recreate the spirit and songs of old-time country, who would have thought that Shetland-born Malachy Tallack’s ‘The Beautiful Atlantic Waltz’ would be one of the year’s best and most authentic sounding?