Mike Davies

Ready For The Times is a testament to both Williams and Catlow’s individual musical talents and the chemistry they spark in each other as a duo.

A singular talent in the contemporary folk world, Bella Hardy returns with a terrific blend of traditional and original songs for her 10th solo album ‘Love Songs’.

As with her filmmaking, Haroula Rose proves herself a highly skilled singer-songwriter talent with an album that mesmerisingly captures the light of the human heart and spirit like the sun reflecting off crystal waters.

On Emma Guzman’s “Something Less Than Alone”, her words, music and voice elevate this far beyond the realms of the ordinary; she may well be the next Courtney Marie Andrews.

Featuring a number of special guests and reflecting on both love and loss, Dark Enough To See The Stars is another magnificent reminder that few shine as brightly as Mary Gauthier.

Paper Hearts and Broken Arrows is lush and raw, personal and narrative, all seasoned with Rod Picott’s matured voice. He says it might be the best album he’s made. I think he may be right.

On Cristina Vane’s ‘Make Myself Me Again’, she delves deeper into her Delta blues influences, delivering a top class blues album that places her up there with some of the best.

The Often Herd, an Anglo-American UK-based four-piece, deliver an assured debut with ‘Where The Big Lamp Shines’, a melting pot of psychedelia, folk-rock, bluegrass and jazz.

On his latest release, Steve Earle doffs the cap to the cowboy troubadour Jerry Jeff Walker who passed away in 2020 and shines a light on his great songs.

Understudy, Boo Hewerdine’s tenth solo album, finds him in a reflective mood. Despite the title, he consistently proves, as he does here, that he’s second to no one.

Oklahoma indie-folk twin sisters Jo and Sophia Babb mark their Companion debut with ‘Second Day Of Spring’, a sincere, weighted and original offering.

The soft and gentle musical arrangements of Grant-Lee Phillips’ ‘All That You Can Dream’ may catch you off guard as these are arguably some of the most potent songs he’s written. Lyrically this is very much the iron fist in the velvet glove.