Mark Underwood

Through The Open Window is the latest chapter in the acclaimed Bob Dylan Bootleg Series, which tells of Dylan’s emergence and maturation as a songwriter and performer, from Minnesota to the Greenwich Village bohemia in the early 1960s. The 8CD Deluxe set includes 139 tracks – 48 never-before-released performances, as well as 38 super-rare cuts, plus a hardcover book with rare photos and extensive liner notes by Sean Wilentz.

Carson McHone’s third album, Pentimento, is a dense, multi-faceted tapestry, with fragments of poetry, spoken verse, field recordings, pastoral folk, guitar and chamber pop, amply demonstrating the benefits of a more collaborative approach on this audacious gem that also reveals a level of sophistication, demonstrating that there are no real limits to McHone’s ambition.

Eve Adams’s fourth album, American Dust, is a stunning folk noir soundscape that transports listeners to the sun-baked American Southwest, exploring themes of love, family history, solitude, resilience, and the enduring spirit of the American Dream.

Mark Underwood chats with Bonnie Dobson about her new album with The Hanging Stars ‘Dreams’, and she recalls memories of poverty and living in an emergency housing project in Canada, Pete Seeger Summer Camp, McCarthy-era blacklisting, the Cuban Missile Crisis, touring with The McCalmans and Mike Harding…and even Ken Dodd—and her secret to longevity: singing and satsumas. He also has a quick catch-up with The Hanging Stars’ Richard Olson.

While “Morning Dew” may be recognised as Bonnie Dobson’s most iconic track, on her new album, Dreams, she showcases a collection of impressive new compositions. Partnering with the UK’s The Hanging Stars, her sound is infused with renewed vitality, resulting in a brilliantly fruitful collaboration. We can only hope that there will be more to come.

‘From Newman Street’ is further evidence of Kassi Valazza’s ability to vividly convey emotion through her melodic sensibilities, with its strong musical accompaniment standing in marked contrast to her crystal clear vocal – pleasantly wrong-footing the listener throughout.

We chatted with American author, musician, and songwriter Willy Vlautin about The Delines’ new album, Mr Luck and Ms Doom. We also talk about his songwriting process, novel writing, and his fondness for Italian movie soundtracks from the 1960s and 1970s.

Mr Luck and Ms Doom, the fifth album by Portland-based country-soul band The Delines, demonstrates a mastery of big lounge ballads and further proves why Willy Vlautin is rightly considered one of America’s greatest songwriters and novelists.

It’s the sheer sense of enjoyment that Bonny Light Horseman have in each other’s company that is the key takeaway from tonight’s performance at The Roundhouse. As a band, their comradeship clearly runs deep.

In O Avalanche, Fionn Regan offers a quietly powerful experience. A rare voice capable of bridging vulnerability and resilience, the album is a testament to his enduring creativity and willingness to explore new territory without losing the authenticity that has always defined his music.

While Peter Bruntnell’s “Houdini and the Sucker Punch” may feature a collection of misfits and unfortunates, there are absolutely no missteps in a ten-song collection that is bound to feature on many people’s Albums of the Year for 2024.

The sixth in a series of Loose Music nights at the Betsey Trotwood pub featuring Roseanne Reid, Ollie Cook and surprise guest Will Varley provided a low-key and intimate alternative to the Glastonbury festival.