Harry Wheeler

German instrumentalist Steffen Basho-Junghans left this world on the 1st of December 2022. Harry Wheeler pays tribute and shares a new short film titled ‘Nature’.

To celebrate the release of ‘The Dancer on the Hill’ by guitar maestro Steffen Basho-Junghans we have a special show which includes a Q&A with Steffen plus label owner Harry Wheeler takes us on a meandering journey into his appreciation of the solo guitar.

Richard Dawson: Full of grit and no bull shit, while simultaneously being capable of producing music as sweet and sensitive as Joanna Newsome, without the sickly gloss.

Josephine Foster’s Little Life is a very welcome re-release, good on Fire Records for bringing it back into the fray. If you’re a fan, you need to add this to your collection.

The unrelenting 78 collector Ian Nagoski is at it again with Widow’s Joy being just one of six compilations that he has put together in the last 12 mouths. Don’t miss Nagoski’s talks held all over Europe and the UK in April and May.

A special feature on Cian Nugent & The Cosmos. Including a review of the new Hire Purchase 7” as well as a video interview and live performance footage from Architects of Harmonic Rooms.

Josephine Foster’s new album ‘Blood Rushing’ makes for some pretty additive folk-rock-pop melodies with top-notch musical performances all round. Led by one of the freshest front woman of our time.

Robbie Basho’s ‘Twilight Peaks’ was originally released on cassette tape in 1984. It has now been picked up and repackaged by a Robbie Basho fan and friend; Glenn Jones and released through Smeraldina-Rima.

Perlas is the second record from Josephine Foster & the Victor Herrero Band and continues their poetic rearrangements of traditional Spanish songs, bringing more Spanish sunshine into our lives.

Stephanie Hladowski’s latest release ‘The High High Nest’ is a real gem of a record that manages to capture a sense of time and space that leaves you in awe.

Sandy Bull’s music is a slice of the 60s flower-power generation that was opening up to new ways of thinking and demonstrated one of the first cross-pollinations of modern and traditional music in the electric era.

‘IS’ opens with an epic eighteen-minute six string slide piece entitled ‘When The Plains are Singing’. You can imagine flying over a wide open landscape with cold blue mountains, sweeping down over wild fields of long grass dancing around in the wind, until finally coming back to the imposing natural towers of the mountains. Steffen Basho-Junghans’s work has the uncanny ability to take the listener into almost lucid visual realms …