David Weir

Alex Highton expands upon his previous recordings by confidently intermixing his eclectic range of influences with welcome appearances from Laura J Martin and Nancy Wallace.

With ‘I Love You Honeybear’ J. Tillman has finally found a ‘true self’ and identity to share, and in turn, a lover and an audience to share it with.

Nansemond is Nathan Bowles boldest sonic outing yet, sounding fresh whilst still alluding to the sounds of the past. An artist crafting a story, part myth, part memoir.

Different Every Time’ is a career spanning, double compilation album of Wyatt’s work. Curated by Wyatt, Domino and Marcus O’Dair, it acts as the perfect companion piece to O’Dair’s new biography of the same title and provides our Song of the Day.

‘Acoustic Dust’ is a body of work, bristling with the gracefulness, rawness is replaced with warmth which includes a mellow cover of Sandy Denny’s ‘Bushes and Briars’.

Stephen Kellogg and Gregory Alan Isakov took to the road over a week ago, after an eventful set of shows, the two prolific songwriters arrived for a sold-out show at Manchester’s Gullivers.

Rachael Dadd’s 4th LP sees her revelling in untrodden ground alongside fellow leftfield folk guests as she combines pop with experimentation bringing both excitement and surprise.

RM Hubbert’s ‘Ampersand Extras’ offers a collection of B-sides and rare recordings that concludes his self-titled trilogy, exploring in detail the Scotsman’s musical pilgrimage so far.

Robert “Hacker” Jesset and Anne Gilpin of Morton Valence return with ‘Left’, a unique album melding genre-hopping soundscapes with Hacker’s imaginative storytelling.