Danny Neill

On ‘Edyf,’ Cerys Hafana’s sound is simultaneously ancient in feel yet intriguingly modern with a vital 21st-century edginess. On each listen, new layers reveal themselves…it doesn’t follow any recognisable path or template, but then aren’t these the records that endure the longest?

On The Cinder Sheet, the delicate psych-folk sound of Sairie is delightfully unpredictable. They steadfastly avoid well-trodden routes with remarkable results. Anticipation grows for where they can take their open-eared psych-folk vision next.

With ‘His Last Letter’, Geoff Muldaur has curated a behemoth of a project with packaging that befits the ambition; this is undoubtedly the most annotated and sympathetically presented new music release of 2022 – it’s a deep joy on every level.

Rachael Dadd’s ‘Kaleidoscope’ really does live up to its title; there is so much nuance in those deep grooves, it’s a potential career-best for an artist with an admirably understated excellence.

With Streams of Forms, Marlais stitches together traditional folk and ambient electronica in ways that are ground-breaking. Bold and hypnotizing, it will be worth keeping an ear out for a taste of whatever this outside-the-box sonic chef cooks up next.

‘The Space Between’ is the sound of a band that are cooking on heat; anyone who comes into the Bonfire Radicals’ orbit is going to be hard pushed not to be swept up by this blazing folk comet.

Opening the set with ‘Lilac Wine’ is a bold move…But Lisa O’Neill has the poise and range to use this as a vehicle to lock in the audience’s attention, and it’s a grip that does not loosen for the next ninety minutes.

We catch up with Luke Daniels to chat about The Cobhers, a project started in 2019 to help bring new audiences to folk and traditional music through covering classic hits alongside folk and traditional tunes from the UK, Ireland and beyond.

Everything on this collection from Luke Daniels and The Cobhers is attacked with such life-affirming urgency… These are songs that have cut across the eras, the sub-cultures and age restrictions, and now, they are hoping to knock down genre fences as well.

Windjammer’s ‘Awaken’, sounds whole yet is markedly diverse within its grooves. There are nods to an Albion/Psych-folk past which they take ownership of. They have succeeded in capturing their essence on record, I now hope this leads to many more awakening to their rich tapestry.

Bloodlines testifies, in tandem with the re-issue of ‘Smokin The Dummy,’ that having established himself as a maverick country outsider in the seventies, Terry Allen began the eighties on a creative roll. They deserve stronger appreciation among country fans and record collectors far and wide.

What is abundantly clear on this re-issue of ‘Smokin’ The Dummy’, is that Terry Allen wrote some great songs in those first two decades of his recording career, they have languished in the alt-country shadows for far too long.