Danny Neill

Danny Neill catches the final night of the “Josienne Clarke Sings Sandy Denny” 2025 Tour at Cambridge Junction. “By the time of the evening’s yearning closer, ‘Who Knows Where The Time Goes,’ I am already resolving to return whenever this songbird flies across the evening sky once again.”

Lavinia Blackwall’s ‘The Making’ is a masterwork of the acid-folk form, full of confidence and devoid of weak spots. From the title track’s seductive melange of medieval breakdowns to the Midlake classic-sounding backdoor reverie of ‘We All Get Lost’, featuring some marvellous descending vocal phrases that bring Annie Haslam of Renaissance to mind, the highlights are plentiful throughout this exquisite new album from the former Trembling Bells multi-instrumentalist and vocalist.

Marc Ribot is less known as a vocalist, writer and solo performer, but Map of a Blue City, an album thirty years in the making, changes everything. For a man whose signature is sonic profundity, not surprisingly, every track has more going on in those grooves than can be absorbed in one listen, making it fit for repeated listens. It will definitely stand as his must-hear solo showcase.

Josienne Clarke is currently touring “Across The Evening Sky: The Songs Of Sandy Denny”. Danny Neill catches up with Josienne to chat about Sandy Denny and Josienne’s own solo journey.

With Altogether Stranger, Lael Neale has cooked up a concoction of her own that will be ripe for inspiration to many: an exquisitely crafted masterclass in retro minimalism and free expression.

Fred Moten & Brandon Lopez’s ‘Revision’ offers a unique hybrid of voice and double bass, intertwined impossibly as one in a recital that lives, breathes, evolves, explores, changes and expresses as one in an impossibly unrepetitive hour of sonic splendour.

Alabaster DePlume’s new LP, A Blade Because A Blade Is Whole, is both a soother, a coping mechanism and a healer. This one might be the State of the Nation address that truly resonates.

Toria Wooff’s sophistically cultivated self-titled debut album is a work of art that demands proper engagement and, in return, promises fruitful payback. The maturity on show points to even more interesting creativity further down the line.

Echolalia is a unique album that repurposes the glory days of English acid folk and pastoral, rural progressive music into a 2025 context. We could use some more of this good stuff in the world right now.

Music that grows out of in-the-moment self-expression such as this can only ever really sound like itself…The Ancients – Isaiah Collier, William Hooker, William Parker – are here to sort the real space cadets out from the pretenders.

Nadia Reid’s ‘Enter Now Brightness’ is an album unfettered by generic pigeonholes and working in complete service to artistic expression. Alongside moments of reflection and introspection, we witness joy, light and a piercing optimism that ruptures this album with vibrant colour.

In the hands of film producer James Mangold, there is a very real probability that the definitive Bob Dylan film has finally arrived, with the man himself nowhere to be seen but his spirit and very essence seeping into every frame.