Bob Fish

Josh Geffin’s Hold On To The Light is a soothing and masterfully crafted EP, a beacon of hope that gives expression both to where we’ve been and where we are headed.

There is a point where music must be heard rather than talked about, words can only do so much, and when it comes to Frey, words begin to fail. Tamsin Elliott has created a piece of work that will be talked about for years to come.

With ‘The Spur’, there is beauty and grace beyond anything Joan Shelley has done before. “…it is a mirror that allows us to see the world differently, to view these moments not only as what they are but as moments rife with possibility.”

Dreams and reality often run together in strange ways; this is definitely true on Rachel Sermanni’s new EP, Every Swimming Pool Runs to the Sea on which she also offers a vocal performance second to none.

Andrew Bird once again confirms that he is one of the most original artists in the music business. He finds a way to deal with complex topics while also attempting to simplify them…Inside Problems have never sounded quite so appealing.

Ian Siegal has created an album fitting for a man who builds his music “Stone By Stone,” Illustrating just how much effort he infuses in every note. This is a classic from a true craftsman.

What Jo Schornikow writes for Altar is, in many ways, like a movie where the images you see last long after the movie is over, and you replay them again and again in your mind.

Laney Jones is not the same woman who broke onto the music scene ten years ago. She has dealt with demons and depression, finding new pathways forward. Stories Up High illustrates the growth and acceptance that allow her to remain positive during uncertain times.

Sometimes the truth hurts, but that doesn’t mean we shouldn’t hear it. On Wellswood, Thomas Dollbaum captivates by telling the truth and letting the chips fall where they may.

With ‘This Is a Photograph’, Kevin Morby finds the passion and emotion that make us living and breathing people, tingeing that with realities that humanise us all.

In this tiny, rural Swedish town, on an island in the Baltic Sea, amidst medieval defence walls and Viking ruins, Victor Mucho began to discover who he was. Moonlight in Visby is a soundtrack to the stillness and isolation that enveloped him.

You don’t have to be religious to feel the spirit that imbues the songs on ‘When Do We Get Paid’. The Staples Jr. Singers have put it in every groove of the original record.