Author

Alex Gallacher

After an 11-year hiatus, the pioneering Chicago Underground Duo—Rob Mazurek and Chad Taylor—return with their new album, Hyperglyph, out August 15th via International Anthem. Lead single “Click Song” offers a potent taste of their evolved sound, blending blown-out horn chants, muscular polyrhythms, and deep synthesised bass.

In a powerful intersection of art and environmental science, sound artist Yoichi Kamimura’s new album, “ryūhyō,” offers a poignant auditory document of Japan’s dwindling sea ice. The record is a sonic elegy for a changing ecosystem. Locals recall a time when the ice was thick enough to walk on, emitting a whistling sound known as Ryūhyō-Nari. Today, that sound is gone.

Sally Anne Morgan is the latest guest on Thrill Jockey’s Deep Digs series, in which artists share their favourite Thrill Jockey releases. Sally’s choices include Jimmy Martin, Jack Rose & D. Charles Speer & The Helix, Elena Setien, and Sidi Toure. We recently reviewed Sally’s new album, Second Circle the Horizon, which was released on June 20th.

A new Monday Morning Brew playlist ft. César y su Jardín, BC Camplight, Oropendola, Natural Information Society, Akira Kosemura, Mark Fry, Sally Anne Morgan, Brìghde Chaimbeul, Kathryn Williams, Eve Adams, Ben LaMar Gay, Chloe Matharu, Animal Collective, The Rolling Stones, Madeline Kenney, Jeremiah Chiu & Marta Sofia Honer, Rún, The Dwarfs of East Agouza, Nadia Reid, M. Sage, Mac DeMarco, Jens Kuross, and Terry Riley.

BC Camplight releases his raw and redemptive album, A Sober Conversation, today. The album confronts personal trauma and embraces sobriety, offering a profound musical journey. Alongside, he shares the lyric video for “Bubbles In The Gasoline,” a track featuring Jess Branney of Peaness.

Oropendola, the Brooklyn-based project of Joanna Schubert, today unveils her sophomore album, “Swimming,” via Spirit House Records. This intimate piano-vocal record arrives alongside a captivating music video for the focus track “Pyre”.

Akira Kosemura’s “MIRAI” is out today. This highly anticipated album is his first-ever vocal project, featuring an impressive lineup including Devendra Banhart and Mr Hudson. Watch the video for “Ongaku” featuring Devendra Banhart, directed by Joel Kazuo Knoernschild, offering a visual journey into Kosemura’s phantasmal statement for the future and his quest for a musical utopia.

Best known for his loosely conceptual 1972 psychedelic folk classic Dreaming with Alice, Normandy-based English singer-songwriter and painter Mark Fry is our latest ‘Off the Shelf’ guest – a form of storytelling through objects. His selections capture that painter’s eye detail as he recalls distant memories with beautiful clarity. It’s an excellent read. Mark’s new album, ‘Not on the Radar’, is out now on Second Language.

Eve Adams’s ‘Couldn’t Tell The Time’ is a bright, shuffling train-like journey into her new album, American Dust. With playful violin, it explores life’s “magic hour”—that uncertain space between youth and age. This single hints at American Dust’s broader narrative: a tender, yet stark, eulogy for the American dream, set against the timeless beauty of the Southwest.

Jazzman Records take us on a deep dive into the resilient, often defiant, spiritual jazz of the Soviet Bloc. From the early 1960s to the precipice of the 1980s, the tracks curated here reveal a fascinating dialogue between global modernism and deeply rooted local traditions. A radical, intoxicating brew that “no amount of guns, tanks or polonium tea could overcome.”

Kathryn Williams has announced her 15th studio album, ‘Mystery Park’, due September 26th via One Little Independent Records. To mark the announcement, Williams has shared a new single, ‘Personal Paradise’, released alongside a video by Emma Holbrook. The album was created in collaboration with several trusted artists, including Leo Abrahams, Neill MacColl, Polly Paulusma, Chris Vatalaro, Ed Harcourt, David Ford, and Paul Weller.

Recorded at the Zig Zag Club in Berlin over two years ago, International Anthem shares a live performance of “I am (bells)” by Ben LaMar Gay that lends enormous weight to the description of him as an imbued composer, conjurer, and channeler of cosmopolitan Blues.

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