Brighton’s Welsh guitar virtuoso Gwenifer Raymond announces Last Night I Heard the Dog Star Bark, a cosmic leap from her folk-horror roots. The new album and its fiery single, “Jack Parsons Blues,” meld ancient mysticism with astrophysics, translating the unfathomable equations of the cosmos into intricate, otherworldly fingerpicked melodies. Prepare for a journey beyond the terrestrial.

Ron Sexsmith announces his 18th album, Hangover Terrace, sharing lead single “Don’t Lose Sight.” Recorded in London, the new record moves away from recent pastoral contentment to explore a more wounded and introspective space. Sexsmith frames it as grappling with the “emotional residue” of the pandemic years—a collective headache set to his signature, impeccably crafted melodies.

Lavinia Blackwall’s ‘The Making’ is a masterwork of the acid-folk form, full of confidence and devoid of weak spots. From the title track’s seductive melange of medieval breakdowns to the Midlake classic-sounding backdoor reverie of ‘We All Get Lost’, featuring some marvellous descending vocal phrases that bring Annie Haslam of Renaissance to mind, the highlights are plentiful throughout this exquisite new album from the former Trembling Bells multi-instrumentalist and vocalist.

NYC experimental pop duo Water From Your Eyes (Nate Amos, Rachel Brown) announce their ambitious new album, It’s A Beautiful Place. Watch the Brown-directed video “Life Signs,” the disorienting first single blending a nu-metal backbeat with soaring choruses. The band cites a diverse palette, invoking “Blade Runner with a touch of WALL-E…Kubrick and Asimov with a hint of Jay and Silent Bob,” to describe the album’s looming, wide-eyed scope.

James Yorkston has announced his new album, Songs for Nina & Johanna, featuring collaborations with Nina Persson (The Cardigans) and Johanna Söderberg (First Aid Kit). The Scottish songwriter’s sixteenth LP for Domino arrives on August 22nd. Recorded in Stockholm with members of The Second Hand Orchestra, the album is previewed by two new songs and videos, “A Moment Longer” and “Love / Luck,” which are available to stream now.

Editrix announce their third full-length and Joyful Noise Recordings debut, The Big E. Arriving with the news is the album’s title track, a maelstrom of galloping fretwork from guitarist/vocalist Wendy Eisenberg, anchored by the stuttering, intricate interplay of bassist Steve Cameron and drummer Josh Daniel. Named for its foundational, recurring E chords, the track operates with a jittery precision, inching them ever closer to the centre of the avant-rock constellation.

BC Camplight has released the powerful new video for “A Sober Conversation,” the title track from his anticipated new album, out June 27th on Bella Union. The single sees frontman Brian Christinzio confront past trauma and sobriety. The release comes ahead of a major tour, including his biggest headline shows at London’s Roundhouse and the O2 Apollo in Manchester.

Taken from his forthcoming new album, The End, watch the Ellius Grace-Directed video for ‘Welcome to My Mountain’, the latest single from Junior Brother, one of Ireland’s most distinctive voices. Built on a hypnotic whistle riff, the track lurches through unpredictable time signatures, a sprawling beast mirroring modern unease and ancient myth, a headlong plunge into a darkly surreal topography.

Although the sound of Barcelona native Ferran Orriols may initially seem quite self-contained, in reality, he is well-versed in a wide variety of musical forms, and he mixes them with ease and lightness throughout Darrere els horts. Highlights include a Heron cover featuring Steve Jones and a jubilant closing title track that provides a joyous coda to one of the most unexpected triumphs of the year so far.

Modern Nature are set to release their new full-length, The Heat Warps, on August 29th via Bella Union. Accompanying the announcement is the release of “Pharaoh,” a track that immediately distinguishes itself as a potent, motorik throb, hinting at a sharpened focus from a band increasingly unafraid to push their own boundaries.

Liverpool’s five-piece band The Shipbuilders return with their latest single, Hills of Mexico, drawing inspiration from the Spanish Civil War and Ernest Hemingway’s ‘For Whom the Bell Tolls’. Matty Loughlin-Day explains: “Whilst reading the book, so many powerful lines and images jumped out at me…I wanted to capture the sense of drama, adrenaline and anticipation that comes across in the text…”

Erlend Apneseth has spoken of his wish ‘to compose more for musical personalities than for instruments’, and this absolutely shines through on Song over Støv, where every element exists as a unique voice, worthy of its own space but always serving the collaborative whole. It’s an album without a hint of excess, masterfully crafted and brilliantly performed.