Sam Carter’s new single, “Tubal Cain,” is a powerful take on a traditional song, exploring themes of responsibility and the consequences of our creations. Released ahead of his autumn tour, the single showcases the BBC Folk Award-winning artist’s signature intricate fingerstyle guitar and narrative-rich songwriting. His tour starts on September 12th.

Oren Ambarchi, Johan Berthling and Andreas Werliin’s Ghosted I and II freewheeled across a matrix whose corners were marked by krautrock, ambient, jazz and freely improvised modernism, III adds even more dimensions. It’s the sound of a band who know each other well enough that they can begin to concentrate on the things they don’t yet know, the unexplored musical directions that open up when they play together.

Wao is living proof that Joseph Shabason & Nicholas Krgovich and Tenniscoats, two utterly distinctive musical acts, can collaborate successfully and create something new without losing any of their own potency in the process. This outwardly unassuming album is as wise and beautiful and unexpected as anything currently happening in the furthest-flung outposts of music.  

Folk musician Jon Wilks is releasing his fifth album, Needless Alley, on September 19th (Grizzly Folk Records). His third single, Montagu Whaler (a boat used by the Royal Navy from the 1900s to the 1960s), is the only non-original song on the album and is released tomorrow, ahead of which, you can watch the accompanying music video.

Oakland duo The Saxophones announce their new album, No Time For Poetry, out November 7th on Full Time Hobby. Listen to their first single, “Too Big For California,” with its evocative imagery of “trampling the lupine” and “the shanty towns are burning,” which paints a picture of a modern California grappling with deep-seated issues like homelessness and wildfires.

Midlake returns with their sixth studio album, A Bridge To Far, on November 7th. Produced by Sam Evian, the album features the new single and video “The Ghouls,” a song born from a period of uncertainty that ultimately inspired the band to move forward. The record is a profound meditation on hope, featuring guest vocals from Madison Cunningham, Hannah Cohen and Meg Lui.

Pareidolia is a subtle and teasing record, beautiful and sometimes bewildering. It has an engrossing element that resembles the arc of a story, which is difficult to achieve in improvisational music but which gives you an insight into how closely and how well Eiko Ishibashi and Jim O’Rourke work together, and how much background work they put into this intuitive, cohesive album.

In his new album Só Ouço, German-Spanish artist Wolfgang Pérez chronicles a two-year journey through Rio de Janeiro that profoundly reshaped his musical perspective. The project, which started as a formal study, evolved into a full immersion in the city’s rhythms and culture. The result is a vibrant musical dialogue between his European roots and the complex soul of Brazil, born from unexpected collaborations.

Newcastle legend Nev Clay shares “I flew a flag” – “I’m mindful that it’s a topic that’s been in the news, but the song’s about something else entirely. I’ve been thinking a lot too about my friend and local musical hero George Welch, who passed away last week.” Nev also has a Newcastle show on September 4th with The Burning Hell and Jon McKiel…this will be a bit special.

American musician and intermedia artist M. Sage has released a new single and video, “Wading the Plain,” from his upcoming album Tender / Wading. He directed the accompanying video, which he calls a form of “excavation.” Through arranging objects and light, he seeks a “congress” between things that creates a logic “beyond human.” He has several US tour dates planned with and without Patrick Shiroshi.

Following a diagnosis of a degenerative nerve condition and told he would no longer be able to play guitar, Amit Dattani taught himself a new way of playing, and, several years on, defiantly returns with ‘Wrong Kind of One’, an album that’s as strong as his debut and deserving of further glowing accolades.

With Patterns, Katy Pinke & Will Graefe nail the perfect cover album, hitting an impeccable balance between variety of material and consistency of tone. While covering well-known songs by Bobbie Gentry, The Beach Boys, Elliott Smith, SZA, Frank Ocean, Paul Simon and Jeff Buckley, you could come to Patterns without knowing any of these songs, and it would still be an entrancing and rewarding listen.