The fire and fury and commitment of Planxty as a hell of a performing unit is there in full force. Live sets are by their nature usually best aimed at the converted, but for someone outside of the established Planxty fan-base One Night In Bremen certainly steers closer into the “worth acquiring” category than the majority of live releases.
I can’t fault the playing here one jot, nor indeed the production quality of Volunteer, nor for that matter the songs themselves which clearly display both affection and craft. But I’m left with a nagging feeling that there’s more than a hint of contrivance, “adopting a role” and being all things to all listeners with this album.
A remarkable album of such texture and prowess that at points its scope, concentrated into the workings of two masters of their instruments, takes the breath away. The pacing, structure, packaging and context, including inspired liner notes from Andy Morgan, is all impeccable and it all combines to result in a truly inspired, beautifully conceived project.
On Sweet Thursday Ivar tackles contemporary America from a personal standpoint, through the lens of literature and with an omnivorous knowledge of the history of music. Put like that it sounds dry, even academic, but Ivar’s wit and melodic sense ensures that it is nothing of the sort. Watch his new video Down by the Jacaranda.
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