It may have taken the best part of forty years for this album to see the light of day, but it still feels like something of a landmark release, and credit must go to Fledg’ling for finally making it available. It is a welcome addition to a consistently excellent body of work by one of the twentieth century’s very finest folk singers.
With The Little Unsaid, John Elliott has carved out a niche as a poet of mental disintegration, a chronicler of very real and very difficult human emotions. But his songs are not without hope. Atomise is perhaps his darkest and most hopeful album to date. It is certainly his most expansive and fully realised.
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