The Latest

Mid-May sees the release of Johanna Samuels new album Excelsior!, an album that explores companionship and features a number of special guests. Watch her video for lead single ‘Nature’s Way’.

Based on Matt Carmichael’s debut album we can, and should, expect great things in future from these guys as individuals and as a quartet. Where Will The River Flow is one for late nights…close your eyes and bathe in it! Top-quality music.

Tompkins Square are to release Origin Myths by Sheffield-based Bobby Lee – a gorgeous slide of Psych country-folk – Open sky/scorched earth improvisations recorded to four track tape.

On her debut EP ‘Here, Now’, Australian songstress Jessie Monk sounds like Joni Mitchell’s long-lost daughter, with her effortless dance between the higher and lower registers of her voice, witty lyrics, and guitar.

Yonder Boys debut album ‘Acid Folk’ breaks through the walls of genre, convention, and predictability, taking you on a wild ride which you don’t want to get off.

Described as a way to make sense of what it means to be human, connect, embrace change, and face another day…Valley Maker reminds us that the night is not endless.

Featuring Dean Owens ft. Calexico, The Barr Brothers, Songhoy Blues, Mama Rosin, Erlend Apneseth Trio, Tom Rosenthal, Tiger Saw, Sunny War, Karl Blau & more

Erlend Apneseth Trio share title track of new album Lokk – venturing further into a fascinating rhythmic and danceable landscape, integrating their music with electronic beats and treated textures that leave you wanting more.

Directed & Animated by Marry Waterson, watch the powerful new video for Jim Ghedi’s cover of Ed Pickford’s Ah Cud Hew – from a truly groundbreaking album – In the Furrows of Common Place.

Taken from his forthcoming EP ‘Nothing to Prove’, listen to Ervin Stellar’s new single ‘Love is Love’ – as the distractions of life fell away and we were all left with what really matters.

Cohen Braithwaite-Kilcoyne’s vocals and box-playing delve deep into the songs and tunes with an alarming virtuosity. For all those who don’t yet revere the squeezebox in all its glorious forms, this might well make a few converts.

Bill Stone wrote songs that played out like dreamy meditations. The delivery is soft-focused and hushed, Lo-fi before lo-fi existed…This is definitely one of those rare records that deserve the wider discovery it will now surely enjoy.

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