The Latest

There are some rare records where the title tells you the story as eloquently as a thousand words. Mary Gauthier’s Trouble & Love may well be one of these, but just in case, read on…

We have an exclusive première today from NYC-based fifteen-piece band Jesus on The Mainline and their new single Sister City, Brother Bone.

North Wales based musician Dan Amor releases his 4th album ‘Rainhill Trials’ in which he infuses it with ‘the pragmatic realism of the 21st century and creates something at once familiar yet new.’

Our Song of the Day is from The Henry Girls who hail from County Donegal, Ireland. Here they are with a cover of Bruce Springsteen’s Reason to Believe. Don’t miss their UK Tour dates.

Langa Langa is Jess Morgan’s third album and it deserves to be her breakthrough. Our reviewer concludes that the musical world is certainly richer for her presence.

Despite its title, The Devil Makes Three finds Catriona Price and Esther Swift in heavenly harmony as Twelfth Day serve up an album of stunning vocal and instrumental skill.

Our Song of the Day is ‘Silverline’ from Josienne Clarke and Ben Walker’s forthcoming album ‘Nothing Can Bring Back The Hour’ which will be released in October 2014.

Living In The Lowlands is the debut album from Cambridge based Lizzie J Taylor. An impressive debut that speaks eloquently on her behalf.

McCabe’s variety of folk music is one thankfully untouched by fashion. The simplicity of ‘Painting The Evil Man’ makes it sound as if it could have been released at any time in the last 40 years.

Johnny heads to The Square Tower, Portsmouth to catch the Will Pound Band perform a mix of the traditional and the adventurous plus news of a new Will Pound venture.

Our Song of the Day is from Jennie, Cath, Liz and Marie, better known as The Cornshed Sisters from Tyne and Wear. You’ll fall for their lovely four-part harmonies from first listen.

David Eagle talks to FRUK about The Young’uns appearance at Glastonbury. Plus we have a new video from them – Jack Ironside is a song originally written by the late Graeme Miles.

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